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<channel>
	<title>Srdja Dragovic</title>
	<link>https://srdjadragovic.com</link>
	<description>Srdja Dragovic</description>
	<pubDate>Sun, 02 Feb 2025 21:00:39 +0000</pubDate>
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		<title>Illustration and Design</title>
				
		<link>https://srdjadragovic.com/Illustration-and-Design</link>

		<pubDate>Tue, 29 Nov 2022 23:36:58 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

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		<title>Illustrations for SUTRA (“Tomorrow”)</title>
				
		<link>https://srdjadragovic.com/Illustrations-for-SUTRA-Tomorrow</link>

		<pubDate>Tue, 29 Nov 2022 23:32:27 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

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Illustrations for SUTRA (“Tomorrow”)
Spring 2026Illustration
Book Illustration
Book

Vector Drawing


	Illustration series created for SUTRA (“Tomorrow”), a collection of 21 stories by acclaimed Zagreb based writer and comic author Darko Macan, published by Kreativni Centar, Belgrade. Each story required a completely different visual approach — from character design and expressions to movement, atmosphere, and pacing — while still maintaining a shared emotional tone throughout the book.

The stories move between humor, darkness, and vulnerability, which naturally pushed the illustrations toward a more cinematic and comic-inspired language rather than traditional book illustration. Despite the stylistic variety, the full series was developed to feel cohesive, almost like a collection of still frames from an animated film or graphic novel.

This became my most extensive illustration project so far, both in scale and in the range of visual problems each story demanded. The book launch is accompanied by an exhibition of selected illustrations and process material.Many thanks to editor Maša Tomanović.You can order this book here.




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	<item>
		<title>Wired ME: Synthetic Dreams</title>
				
		<link>https://srdjadragovic.com/Wired-ME-Synthetic-Dreams</link>

		<pubDate>Tue, 29 Nov 2022 23:32:27 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/Wired-ME-Synthetic-Dreams</guid>

		<description>&#60;img width="1812" height="2346" width_o="1812" height_o="2346" data-src="https://freight.cargo.site/t/original/i/332989646b704659cacf1fcab5b8d9c27ef2f821d5ccf6dc40b0f5032d0faddc/lucid-dream-v1.png" data-mid="248781476" border="0"  src="https://freight.cargo.site/w/1000/i/332989646b704659cacf1fcab5b8d9c27ef2f821d5ccf6dc40b0f5032d0faddc/lucid-dream-v1.png" /&#62;


	
Wired Middle East: Synthetic Dreams

Spring 2026Illustration
Editorial
Science
Magazine
Technology
	Illustration for Wired Middle East: article by Carla Sertin about the Siberian scientist who implanted a brain device into his own skull to study lucid dreaming and REM sleep.
Read the article here.

Many thanks to AD Nadia Mendez.

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	<item>
		<title>(RE)ANIMACIJA 2026 - Visual Identity</title>
				
		<link>https://srdjadragovic.com/RE-ANIMACIJA-2026-Visual-Identity</link>

		<pubDate>Tue, 29 Nov 2022 23:32:26 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/RE-ANIMACIJA-2026-Visual-Identity</guid>

		<description>&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/677bcd3e84da77aa6e8c6dcb67bf323d364c9dfed73191a5afd9bc39584d2cd0/reanimacija-2---konkurs-2-feb.png" data-mid="248780751" border="0"  src="https://freight.cargo.site/w/1000/i/677bcd3e84da77aa6e8c6dcb67bf323d364c9dfed73191a5afd9bc39584d2cd0/reanimacija-2---konkurs-2-feb.png" /&#62;


	
(RE)ANIMACIJA 2026 - Visual Identity

March 2026Visual Identity
Illustration
Poster
	Visual identity for the second edition of (RE)ANIMACIJA Festival, held March 20–22, 2026, at Nikšić Theatre.The festival brought together the inaugural Nikšić Illustration and Animation Salon, International Illustration and Animation Exhibition titled “HUMAN”, screenings of contemporary European short animated films, alongside lectures and workshops.The visual identity was developed in collaboration with Denis Ćupić, who designed catalogues for exhibitions.Commissioned by Mato Uljarević as part of Nikšić’s European Capital of Culture 2030 programme.




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	<item>
		<title>Through the Flood</title>
				
		<link>https://srdjadragovic.com/Through-the-Flood</link>

		<pubDate>Tue, 29 Nov 2022 23:32:26 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/Through-the-Flood</guid>

		<description>&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/27c0fdf8e34f8398ad1c22819b6677229c229e84427ba2e60c491a10faefe890/srdja-dragovic---january-2026.jpg" data-mid="246838186" border="0"  src="https://freight.cargo.site/w/1000/i/27c0fdf8e34f8398ad1c22819b6677229c229e84427ba2e60c491a10faefe890/srdja-dragovic---january-2026.jpg" /&#62;


	

Through the Flood
January-2026Illustration

Personal Work
Drawing
Vector

	Personal work.



</description>
		
	</item>
		
		
	<item>
		<title>Thumbelina — Book Cover Illustration</title>
				
		<link>https://srdjadragovic.com/Thumbelina-Book-Cover-Illustration</link>

		<pubDate>Tue, 29 Nov 2022 23:32:25 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/Thumbelina-Book-Cover-Illustration</guid>

		<description>&#60;img width="1920" height="2716" width_o="1920" height_o="2716" data-src="https://freight.cargo.site/t/original/i/ce9d7509f9d4ede674840f65b3dbd4f9ccb11975036506dacb0ac18fde81b0de/srdja-dragovic---thumbelina-serres-illustration---2025.jpg" data-mid="246827619" border="0"  src="https://freight.cargo.site/w/1000/i/ce9d7509f9d4ede674840f65b3dbd4f9ccb11975036506dacb0ac18fde81b0de/srdja-dragovic---thumbelina-serres-illustration---2025.jpg" /&#62;


	
Thumbelina — Book Cover Illustration
Autumn 2025Illustration

Vector Drawing
Book
Editorial

	Illustration for the Montenegrin edition of Thumbelina by&#38;nbsp;Michel Serres, published by&#38;nbsp;Atelje 22.

Translated from French by Kristina Bojanović&#38;nbsp;and edited by&#38;nbsp;Milovan Novaković.

The book explores a generation shaped by digital technologies—what Serres refers to as “Thumbelina” and “Thumbelins,” pointing to the central role of the thumb in navigating contemporary devices. It reflects on the transformation of how we learn, communicate, and relate to knowledge in the 21st century.

Many thanks to Milica Janković&#38;nbsp;and Atelje 22 for the invitation and trust.
	&#60;img width="3187" height="3984" width_o="3187" height_o="3984" data-src="https://freight.cargo.site/t/original/i/26d8400e871126101ca51ac0c2dbc589b7e67e60e7aacb7dd4d818734fa30ae2/thumbelina1---publisher-a22---illustration-srdja-dragovic-2025.jpg" data-mid="246827639" border="0"  src="https://freight.cargo.site/w/1000/i/26d8400e871126101ca51ac0c2dbc589b7e67e60e7aacb7dd4d818734fa30ae2/thumbelina1---publisher-a22---illustration-srdja-dragovic-2025.jpg" /&#62;




&#60;img width="3240" height="4050" width_o="3240" height_o="4050" data-src="https://freight.cargo.site/t/original/i/e61a3fe740740ecf5dc1971fcd7c19c7f192cf91e20ad2218dae8d6c1feca266/thumbelina2---publisher-a22---illustration-srdja-dragovic-2025.jpg" data-mid="246827640" border="0"  src="https://freight.cargo.site/w/1000/i/e61a3fe740740ecf5dc1971fcd7c19c7f192cf91e20ad2218dae8d6c1feca266/thumbelina2---publisher-a22---illustration-srdja-dragovic-2025.jpg" /&#62;
&#60;img width="3667" height="4583" width_o="3667" height_o="4583" data-src="https://freight.cargo.site/t/original/i/33ecc0224be30b7f12373d6bf7d68a83f759f08783a6be723670d8c85f5b5f25/thumbelina3---publisher-a22---illustration-srdja-dragovic-2025.jpg" data-mid="246827641" border="0"  src="https://freight.cargo.site/w/1000/i/33ecc0224be30b7f12373d6bf7d68a83f759f08783a6be723670d8c85f5b5f25/thumbelina3---publisher-a22---illustration-srdja-dragovic-2025.jpg" /&#62;


&#60;img width="3714" height="4642" width_o="3714" height_o="4642" data-src="https://freight.cargo.site/t/original/i/90fdafe8436814798b015e9aa583e0349578c0a11524b39100095c1c71171368/thumbelina4---publisher-a22---illustration-srdja-dragovic-2025.jpg" data-mid="246827642" border="0"  src="https://freight.cargo.site/w/1000/i/90fdafe8436814798b015e9aa583e0349578c0a11524b39100095c1c71171368/thumbelina4---publisher-a22---illustration-srdja-dragovic-2025.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Work for the Exhibition Sevdalinka and Hasanaginica</title>
				
		<link>https://srdjadragovic.com/Work-for-the-Exhibition-Sevdalinka-and-Hasanaginica</link>

		<pubDate>Tue, 29 Nov 2022 23:32:25 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/Work-for-the-Exhibition-Sevdalinka-and-Hasanaginica</guid>

		<description>&#60;img width="1920" height="2388" width_o="1920" height_o="2388" data-src="https://freight.cargo.site/t/original/i/c9b191d5440e95bbc9ce316b075d7e69c36213e1bc20ad19b8b854449cf327be/srdja-dragovic---sevdalinka---2025.jpg" data-mid="246825159" border="0"  src="https://freight.cargo.site/w/1000/i/c9b191d5440e95bbc9ce316b075d7e69c36213e1bc20ad19b8b854449cf327be/srdja-dragovic---sevdalinka---2025.jpg" /&#62;


	
Work for the Exhibition Sevdalinka and Hasanaginica

May 2025Illustration
Personal Work
Drawing
Vector

	“Ispiću ti oka oba,ta dva crna, hladna groba”

(“I would drain both of your eyes—those two dark, cold graves.”)
Work created for the exhibition Sevdalinka and Hasanaginica, held in May 2025 at the Cultural Center Gallery in Bijelo Polje, as part of the Days of Bosniak Culture in Montenegro.

The piece is a visual interpretation of verses from the traditional song Ašik osta na te oči (also known as Oj kaduno), based on a text by Osman Đikić. One of the earliest recorded versions, performed by&#38;nbsp;Edo Ljubić&#38;nbsp;in 1940, includes these lines.

In many contemporary interpretations, these verses have been altered or omitted, softening the song’s darker tone and diminishing the striking emotional imagery present in the original. In Ljubić’s rendition, these lines stand as a kind of culmination.

Many thanks to Tijana Gordić&#38;nbsp;for the invitation, and especially to&#38;nbsp;Mirsad Rastoder&#38;nbsp;for the opportunity to be part of this exhibition.



</description>
		
	</item>
		
		
	<item>
		<title>(RE)ANIMACIJA 2025 — Visual Identity</title>
				
		<link>https://srdjadragovic.com/RE-ANIMACIJA-2025-Visual-Identity</link>

		<pubDate>Tue, 29 Nov 2022 23:32:24 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/RE-ANIMACIJA-2025-Visual-Identity</guid>

		<description>&#60;img width="1920" height="2715" width_o="1920" height_o="2715" data-src="https://freight.cargo.site/t/original/i/9b747a31befd56662d8003171845245fa6d90d74f4b6e83f1b5bd5fe0565b441/srdja-dragovic---reanimacija-2025---illustration.jpg" data-mid="246824719" border="0"  src="https://freight.cargo.site/w/1000/i/9b747a31befd56662d8003171845245fa6d90d74f4b6e83f1b5bd5fe0565b441/srdja-dragovic---reanimacija-2025---illustration.jpg" /&#62;


	
(RE)ANIMACIJA 2025 — Visual Identity
March 2025Visual Identity
Illustration
Poster


	Visual identity for the first edition of (RE)ANIMACIJA Festival, held March 20–22, 2025, at Nikšić Theatre.

The festival brought together the inaugural Nikšić Illustration and Animation Salon, screenings of contemporary European short animated films, alongside lectures, workshops, and a book promotion by Rastko Ćirić. Special guest was animator Miloš Rajković SHOLIM.

The visual identity was developed in collaboration with Denis Ćupić, who defined the typographic direction of the poster, while I led the overall visual concept and execution.

Commissioned by Mato Uljarević&#38;nbsp;as part of Nikšić’s European Capital of Culture 2030 bid.
	&#60;img width="1920" height="2715" width_o="1920" height_o="2715" data-src="https://freight.cargo.site/t/original/i/d413da12a1544f93053ce22236cbd984fd4e46feebf5c603d7ad867b67536411/srdja-dragovic-with-denis-cupic---reanimacija-2025---poster.jpg" data-mid="246824727" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d413da12a1544f93053ce22236cbd984fd4e46feebf5c603d7ad867b67536411/srdja-dragovic-with-denis-cupic---reanimacija-2025---poster.jpg" /&#62;





&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/7731cea58ca9647c7c4ccb61388e2b51e7b3f2d88609ae5ab068b1ca8096eb30/reanimacija-2025---jury-announcement---design-srdja-dragovic.png" data-mid="246824931" border="0"  src="https://freight.cargo.site/w/1000/i/7731cea58ca9647c7c4ccb61388e2b51e7b3f2d88609ae5ab068b1ca8096eb30/reanimacija-2025---jury-announcement---design-srdja-dragovic.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9fff36e999090bfe51cbe8e1738be5996d81f9cf52286a5a055e13a4f4aba6ee/reanimacija-2025---opening-night---design-srdja-dragovic.png" data-mid="246824932" border="0"  src="https://freight.cargo.site/w/1000/i/9fff36e999090bfe51cbe8e1738be5996d81f9cf52286a5a055e13a4f4aba6ee/reanimacija-2025---opening-night---design-srdja-dragovic.png" /&#62;


&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e02246f0ac27b8c11398da3995c804dd674efa09f484d39496170b8571d50e42/reanimacija-2025---lecturer1---design-srdja-dragovic.png" data-mid="246824940" border="0"  src="https://freight.cargo.site/w/1000/i/e02246f0ac27b8c11398da3995c804dd674efa09f484d39496170b8571d50e42/reanimacija-2025---lecturer1---design-srdja-dragovic.png" /&#62;
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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/636b934cb1721c6a5e08f3d264adecace54f97b3669c734bf5ffbec1c838063e/reanimacija-2025---lecturer4---design-srdja-dragovic.png" data-mid="246824943" border="0"  src="https://freight.cargo.site/w/1000/i/636b934cb1721c6a5e08f3d264adecace54f97b3669c734bf5ffbec1c838063e/reanimacija-2025---lecturer4---design-srdja-dragovic.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/4d8f150efe9ddf95b4f5dcde9a9be6c2a6ca1232d2b3e83a51c4be6fc952c682/reanimacija-2025---lecturer3---design-srdja-dragovic.png" data-mid="246824942" border="0"  src="https://freight.cargo.site/w/1000/i/4d8f150efe9ddf95b4f5dcde9a9be6c2a6ca1232d2b3e83a51c4be6fc952c682/reanimacija-2025---lecturer3---design-srdja-dragovic.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>In Support of Students in Serbia</title>
				
		<link>https://srdjadragovic.com/In-Support-of-Students-in-Serbia</link>

		<pubDate>Tue, 29 Nov 2022 23:32:24 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/In-Support-of-Students-in-Serbia</guid>

		<description>&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/85c9ca41eaa4bf458cb4e2a7120c40b98a1e454921df25de9f6de76b725ae7bd/srdja-dragovic---in-support-of-students-in-serbia---2025.jpg" data-mid="246824011" border="0"  src="https://freight.cargo.site/w/1000/i/85c9ca41eaa4bf458cb4e2a7120c40b98a1e454921df25de9f6de76b725ae7bd/srdja-dragovic---in-support-of-students-in-serbia---2025.jpg" /&#62;



	In Support of Students in Serbia
January - February 2025Illustration

Personal Work
Protest
Silkscreen Print

	An illustration created in support of the 2025 student march from Belgrade to Novi Sad, within the ongoing student protests in Serbia.

Following its release and the strong response it received, the work evolved into a collaborative project initiated by Aleksandra Mihajlović Shtroxy. Together, we produced a series of screen-printed T-shirts, printed in Novi Sad and distributed from Belgrade.

The shirts reached people across Serbia, the region, and abroad. Proceeds from the first round were donated directly to students, while the second round helped provide mattresses.

I’m deeply grateful to Aleksandra for her initiative, dedication, and the photographs featured here, as well as to everyone who supported the project. The experience also offered a glimpse into the scale and strength of grassroots solidarity surrounding the student movement.
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/143d28973e0a76177b5055dcfbf55db16b62ae900c15aff6983263f56a068c19/photo-shtroxy---belgrade-2025-1.jpg" data-mid="246824147" border="0"  src="https://freight.cargo.site/w/1000/i/143d28973e0a76177b5055dcfbf55db16b62ae900c15aff6983263f56a068c19/photo-shtroxy---belgrade-2025-1.jpg" /&#62;




Photos by Aleksandra Mihajlović Shtroxy

&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/aee48d0d630987ab498eb344202df3e209bf38b5526715c0aae2691654273b62/photo-shtroxy---belgrade-2025-2.jpg" data-mid="246824148" border="0"  src="https://freight.cargo.site/w/1000/i/aee48d0d630987ab498eb344202df3e209bf38b5526715c0aae2691654273b62/photo-shtroxy---belgrade-2025-2.jpg" /&#62;
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&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/1d38ce5f8be0d446a05f012aff044ac50a47afda2fea52759170756e3a938842/photo-shtroxy---belgrade-2025-5.jpg" data-mid="246824151" border="0"  src="https://freight.cargo.site/w/1000/i/1d38ce5f8be0d446a05f012aff044ac50a47afda2fea52759170756e3a938842/photo-shtroxy---belgrade-2025-5.jpg" /&#62;


&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/d47c8d81606a5b97898bff43dc6c40637fe5e5bacf63751822954fd76ca366c9/photo-shtroxy---belgrade-2025-6.jpg" data-mid="246824152" border="0"  src="https://freight.cargo.site/w/1000/i/d47c8d81606a5b97898bff43dc6c40637fe5e5bacf63751822954fd76ca366c9/photo-shtroxy---belgrade-2025-6.jpg" /&#62;
&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/eed24246eac26d55b09154f1628fce861bd184faa4fc7d72cc86e39f22544336/photo-shtroxy---belgrade-2025-7.jpg" data-mid="246824153" border="0"  src="https://freight.cargo.site/w/1000/i/eed24246eac26d55b09154f1628fce861bd184faa4fc7d72cc86e39f22544336/photo-shtroxy---belgrade-2025-7.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>The Blame Game</title>
				
		<link>https://srdjadragovic.com/The-Blame-Game</link>

		<pubDate>Sun, 02 Feb 2025 21:00:39 +0000</pubDate>

		<dc:creator>Srdja Dragovic</dc:creator>

		<guid isPermaLink="true">https://srdjadragovic.com/The-Blame-Game</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45802a6ea59f028e3ff00fa3dfe5adbe548313a5bd5000ae88476bac35ad4f97/the-blame-game-illustration-1---srdja-dragovic.png" data-mid="225904839" border="0"  src="https://freight.cargo.site/w/1000/i/45802a6ea59f028e3ff00fa3dfe5adbe548313a5bd5000ae88476bac35ad4f97/the-blame-game-illustration-1---srdja-dragovic.png" /&#62;


	Illustrations for "The Blame Game" Project
2023-2024Illustration
Vector
Science
Comic
Technology
	Illustrations for "The Blame Game", a project conceived and developed by Matija Franklin and Darko Stojilović, researchers at University College London (UCL). The project was supported by the Alan Turing Institute, where Matija undertook an enrichment scheme.
At the core of this game is research on human attribution of responsibility and the types of information people seek when making judgments about the accountability of artificial intelligence.
"The Blame Game" is an interactive online experiment. It takes the form of a visual novel set in a world where players assume the role of a judge. Each scenario includes AI and human "suspects" and "witnesses," and it is up to the player to investigate sources, assess and determine the degree of guilt, and observe how each decision further shapes the story. 
I am grateful to Matija and Darko for the opportunity to collaborate: the illustrations were a true challenge, and it felt as if we were working on comic book panels or animation frames, even though they essentially served as backgrounds for a set of questions guiding the player through each "case." 
The project was supported by the following universities: UCL (University College London), Brown, Oxford, Exeter, the University of Granada, as well as the AI Objectives Institute.

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